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Charlize Theron seems an even-tempered person, with amused, intelligent views on her life, her work and the state of the world. But one sure-fire way to rattle her is to ask why she doesn’t play more glamorous roles.
On the face of it, this isn’t a stupid question. South African-born Theron, 32, is among the better-looking members of her peer group – leading actresses based in Los Angeles – in which looks are a virtual pre-condition of entry. Yet it’s true that her stature derives largely from roles that disguise her beauty.
She won a best actress Oscar four years ago via this route, gaining 30 pounds to play the serial killer Aileen Wuornos in Monster. Throughout the film she looked bleary-eyed, puffy and unkempt with a blotchy complexion.
In North Country (2005), she portrayed Josey Aimes, a working-class single mother who was in the first group of women to work in a Minnesota mine and who won a landmark sexual harassment case.
Now Theron is at it again. In her new film, In the Valley of Elah, she is another single mother suffering chauvinistic behaviour from male colleagues. As Emily Sanders, a small-town Tennessee police detective, she helps a retired soldier (Tommy Lee Jones) investigate the odd disappearance of his son after the young man returns from a tour of duty in Iraq.
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