“That’S my natural hair colour,” snaps Charlize Theron, nodding at the poster for her new film, In The Valley Of Elah, in which she plays a no-nonsense policewoman in Tennessee doing some pretty hardcore murder investigation. Detective Emily Saunders’s hair is a middling brown, parted in the middle and scraped back into a ponytail. “You know, if you don’t consider the character beautiful, that is really me,” she goes on, brutally. “My natural hair colour, very little make-up and no prosthetics. That is me.”
It is hardly surprising that Theron is tired of journalists – or anyone else – marvelling at the fact that a star with such old-style Hollywood looks, the kind that make you think of Ginger Rogers or Grace Kelly, is prepared to look so dowdy on screen.
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